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Archive for the ‘photography’ Category

Macro photography is one of the most attractive and popular forms of photography. According to some experts it is very easy to master the art and techniques of macro photography – and that is, perhaps, the secret behind its fame.

Definition of Macro Photography:

Strength of the lens or the range of the lens determines whether the style can be called macro photography or not. A camera with a lens that has a 1:1 range should be used in macro photography so that the image size on the negative or slide is equal to the actual size of the subject.

Hence, if you are using 35 mm photographic film, you should use a camera that can focus on 24×36 mm small area. Then only you can take picture of a subject where the image size on photographic film is equal to the real size of the subject.

What’s interesting in Macro Photography:

Macro photography opens up the doors of a new world. It captures minute details of the subjects – such details are not at all visible in the naked eye. Hence, the viewer can reveal a lot of new things in most familiar subjects while watching the photographs. And unfamiliar subjects become more attractive in macro photography. According to photo critics – macro photography is not only attractive, but seductive!

For example, when someone takes a picture of a rusted chain in 1:1 range, you get to see the exact texture of rust. How rusts look like, what is the exact color of rust and many other minute factors come into notice. That’s what makes macro photography attractive.

Ideas & Subjects of Macro Photography:

People with a knack for photography find the subjects their own. They are artists and they have the eye for the right thing. However, those who are new in this field and about to start their career might need help finding the subject.

Snowflakes, water drops, minerals, butterflies, plants, leaves, flowers and flower petals, baby feet and fingers, eyes, spiders and spider web, insects etc. are the common subjects. Get out in your backyard garden and you will find plenty of subjects worth taking a picture. Macro photography ideas are available online to help you develop the ability to find the right subject.

Nature has always been the main subject of photography and art. However, macro photography experts often take photographs of items such as stamps, coins, automobile parts, wrist watch, pen parts, and other small things and collectibles.

Macro Photography Tutorials:

Working in this field is a new experience even for those who have been involved with photography for long. Opportunities are unlimited here – new equipments and techniques are invented everyday. With the advent of digital photography, entire world has been revolutionized.

Digital photography tutorials for macro photography help photographers make full use of digital cameras and other equipments in the process. However, it is not mandatory to use digital cameras. Traditional film based cameras are still popular and will be in the market for next few decades if not centuries.

Experts prefer SLR digital cameras for macro shooting. However, compact point and shoot cameras can yield good result too. To know more about photography, take some lessons or tutorials online. Know about photography techniques and equipments; become an expert photographer.

Nature photography as an art form has been around for a long time, but recently it has found respect on the walls of up-market galleries. This is a big change from 20 years ago, when nature photography was only considered worthy of second-rate postcards and calendars.

Over the years, postcards and calendars began to improve in quality as nature photographers with real talent entered the industry. High quality posters of whales, wolves, elephants and spectacular landscapes from around the world were suddenly worthy of framing. Finally nature photography galleries began to appear and, more importantly, turn a profit.

When I opened my gallery in 1993, many people still felt that you could not make a living selling photography; that people would only buy paintings to hang on their walls. These days, new galleries are opening everywhere; some good, some not so good, and a few that have really hit the big time.

All this activity in the world of nature photography has inspired new generations of photographers to look at nature photography as a hobby or possible profession. These new nature photographers grew up in a very different world than the one I come from. Technology that was unimagined back then is now commonplace, and new photographers have more power in their hands than ever before. But what implications does all this technology have for nature photography?

Nature photographers must now decide how much they will allow their photography to be influenced by technology. In earlier days, good nature photography required a very simple approach; find a great subject, in the best possible light, and use your skill with a camera to capture what you saw. Today it is quite a different story. A nature photographer can (if they choose) find a decent subject, photograph it in whatever lighting conditions they happen to find, then go home and completely alter the colours, the contrast, and even the detail of the picture. The result can be an image that owes more to the marvels of technology than to the wonders of nature.

Each to his own. It is not for me to judge the creative decisions of another photographer. But the question that is in the back of your mind right now deserves to be asked; is this nature photography?

Every photographer is entitled to pursue their craft any way they choose. Of course skills with computer software are just as creative as traditional nature photography skills. However, the person who views a photograph deserves to know what they are looking at, especially if that person is a customer prepared to part with their hard-earned money.

I know many photographers get quite defensive on this subject. Camera clubs around the world continue to wrestle with the issue of judging natural photos alongside manipulated photos. Some clubs have tried to divide competition into separate categories, only to find people sneaking their digitally altered photos into the unaltered category for equal recognition. Understandably, ’software photographers’ want their talents to be recognised on the same level as the ‘in-camera photographers’. And so they should, but not in a way that ignores the difference between the two disciplines.

This is not an attempt to denigrate the skills of the software photographers. It just seems to me that the viewer, and in particular the paying customer, deserves to know.

Increasingly the public is becoming suspicious of good photography. Anything that is outstanding or unusual is now assumed to have been altered or manipulated using computer software. In many cases, it probably has. Unfortunately, this suspicion gives little credit to the traditional photographer (and there are still plenty of us out there) who prefer to do the creative work in the field, before they press the shutter, and reproduce what was captured on the day.

You can’t imagine, unless it has happened to you, how frustrating it is to proudly display your best nature photography, only to hear people say ‘These days it’s all done with computers.’

For the record, my photography is as traditional as it can be in the digital age. Software is becoming essential to my work, as I go throught the process of scanning thousands of slides from my years of travel. Not to alter a photo, but to balance the colour and contrast to make sure the printed photograph matches the original slide. It is also an enormous benefit to finally be able to restore images that have been scratched or otherwise damaged by age.

I recognise that the trend towards using software to enhance and alter photos is not only inevitable, but just as legitimate as old fashioned nature photography. However, I continue to encourage people to learn true camera skills as well, so that the use of software to manipulate images is a creative choice, not a remedy for lack of ability. Thankfully, the demand for my ebooks suggests that there are plenty of people out there who feel the same way.

The field of child photography is challenging but also both enjoyable and profitable – if you like children. Don’t bother pretending, if you really don’t. You may fool a parent – but not the little one.

Tips to help are:

The techniques used in most other fields of photography do not always apply in child photography. The phrase “hold it” or “freeze” carry very little weight with children. They typically do as they please and if they please. Your assignment is to anticipate what a child may be about to do and capture it.

YOU can turn this into your advantage: Since children don’t always do what you want them to do, or what you expect them to do (actually they rarely do!). A solution often is: don’t expect them to become a cooperative little adult merely because you want to take their picture. Trick them – expect them to act like children. Don’t expect anything in particular. DO this and you can enter the fun and profitable field of child photography.

Know your stuff -

Before you start booking sessions with children you must know exactly what you are capable of doing – what your camera is capable of doing – what all your equipment is capable of doing. Operating your camera and equipment must be second nature. Have your style of photography down pat, so when you start a session your mind is on the child(ren). This takes your complete focus. This is not the time to be fiddling with you camera, or trying to figure out your light setup. Children take 100% of your concentration. For some children the entire shoot may only last 10 minutes – though you feel you have just run a marathon – so you have to be able to get in position , get the most cooperation from the child, get great shots. At times, this has to be done very quickly, BUT you cannot make the child feel they are being rushed.

Know your subjects -

With children, you must expect the unexpected. At different ages children are capable of doing different things. The more you know what they typically do during some of these stages, the better images you are going to capture. And the happier you make your clients – which, in turn, makes you financially happy.

During a session photographing children you can get a variety of poses, expressions and antics. In no other field of photography are you liable to get such variety. The more you learn about little ones the better child photographer you will be. Children are not just children until they become adults -they come in all sizes. Between four months and four years you can place them into quite a few categories: 4-6 mos, 6-12 mos, 12-18 mos, 18-24 mos, and then you can lengthen out the age span. Awareness of these ages are needed to help you – the photographer – be aware of the limitations children (especially little ones) have.

Listening to the parent can help toward a successful session.

You can learn specific things about their child that will make it or break it:

Are they afraid of certain things or sounds?

What are their special likes?

Do they like books?

How comfortable are they with a stranger approaching them? You do NOT want to spook a little one; the scheduled time may not allow for you to win their confidence.

Be ready with that camera when you first introduce something new -you do not get a second chance to get first reactions!

In most areas of photography a tripod is great for sharp photos. However with child photography you do not always have such a luxury. Once they reach the moving around stage, a tripod limits your ability to capture expressions and poses. Be mindful of your camera settings – keep that shutter speed fast enough to prevent blurring – and be ready to move quickly!

Child photography allows for close-up portraits as well as the child engaged in some activity – taking their socks off – in a box / tub with toys – climbing on or out of something. There is really no limit. As you continue to gain experience in working with children of various ages you will become more adept at learning what typically works with different age groups.

Child photography is a challenge – but don’t worry sometime it turns into children photography. Mom has twins – big brother / little sister – maybe three little cousins. The list goes on! Imagine two sister and they both have triplets! Other than the obvious difficulty of getting multiple little subjects in any semblance of position, conducive to a memorable photo you need to bring everyone’s eyes to a central focal point. Tricky, but not impossible. Adding something NEW to catch their attention, at the moment you press the shutter, can work. Use this sparingly, because when child photography turns into children photography getting all their attention on the same thing is quite a feat. The beauty of digital is no limits to the exposures you take and you can take a quick peek on the spot.

Parents can be quite helpful during the photo session. Children often are more confident with a parent nearby. Also, do not overlook the value of older brother and sisters. They have a relationship with the little one like no one else! Often they can get their little brother or sister to giggle, make faces, hold things and a host of other things that may be exactly what you need. Plus, you have the opportunity of including more subjects in the photos, which translates into a larger photo package for the customer!

As you advance in child photography you will want a lighting setup and a backdrop. A three light setup – consisting of a main light fill light and a background light – is ideal. However if you are just beginning you can do great photography with a lot less. Experiment, and add as needed. If you are using a backdrop keep the child at least four feet from the backdrop (if possible). This eliminates shadows and prevents the backdrop from competing with your subject.

Take your act on the road -

You can do child photography at the park – on the beach – in the backyard, just as easily as in a studio or home – maybe more so – and nature will take care of the lighting for you, as long as you select open shade.

Items to have on hand:

Depending on the ages and whether you are shooting indoors or outdoors you need a supply of items to catch and keep their interest and that look great in a photo:

rattles

feather dusters

soft toys

dolls

hats

mirrors

a telephone (the bigger the better)

a big whistle

duplicate toys (for twins & overly competitive little ones)

treats & snacks

There is much more to be written on child photography. For more information on this, and other related subjects, you may want to read the article

http://www.you-can-do-great-photography.com/child-photography.html

This article authored by: You-Can-Do-Great-Photography.com